no pressure...but Monk's watching |
Yesterday I tossed Charlie Rouse, tenor saxophonist, at you
without much preamble or story. I was too damned cold and barely had feeling in
my digits to post to the blog. Yes, it was that cold. Still is.
Charlie Rouse was born in Washington D.C., so he grew up
with some snow over the winter, but has that city ever seen -40 degree
temperatures? Doubtful. That city is all about the heat. Not some sort of
metaphorical heat linked to his status as seat of government, but literal heat
with records being broken each summer.
Rouse knew about heat, some of the metaphorical kind, as sax
player in Thelonious Monk’s band from 1959-1970. This was not an easy gig. Monk could be a tough boss, as a genius can be I guess, and he expected his players to be
able to pick up what he wanted from them quickly and without much direction. He didn't want players to learn from a written score since he felt learning without it helped them understand the music on a deeper level.
Rouse seemed to fit in with the eccentric player and he
played on many Monk albums in the 1960s including the all-time classics “Criss
Cross”, and “Monk’s Dream”.
rouse on sax, watkins on french horn |
In the 1950s, Rouse made several albums with Julius Watkins, who is, as far
as I know, the only French horn player in jazz. Okay, surely there are others
out there but I’ve never heard of them. They formed a group called The Jazz Modes
and I like some of their recordings, but as soon as vocals kick in on some of the tracks…I’m out. It
dates the record.
You could always find those albums and make a playlist out of
the non-vocal tracks if you care to. Have a listen to them on Bohemia.
This band also features the obscure and fabulous Gildo Mahones, who didn’t record nearly enough under his own name.
This band also features the obscure and fabulous Gildo Mahones, who didn’t record nearly enough under his own name.
Years after Monk's band, Rouse played on one of my favourite live albums, and one that I’ve discussed before, “The Seagulls of Kristiansund” (Soul Note, 1987) by the Mal Waldron Quartet. That album also features Woody Shaw and is essential listening.
Charlie Rouse is a fantastic player and I know you like Monk
and have listened to him often, so you’re probably familiar with his
outstanding talent without realizing it.
I hope this makes up for yesterday's brevity.
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