Albums That All Humans Should Own #10

Jim and Sonny

I’ve been thinking about Sonny Rollins lately and wanted to put out there again that despite saying I can’t bear to hear “St. Thomas,” I’m a big fan. 

It got me thinking about his music and what album of his I would pick as my all-time favourite. Yes, you know how I like lists and rankings when it comes to jazz.

My first thought was The Bridge (RCA Victor, 1962), which is one of his most famous albums and has all sorts of mythology around it. 

The story goes that Sonny was tired of the music biz and was feeling like his playing wasn’t developing like he wanted it to, so he walked away from recording and performing. 

Instead, he’d take his sax out to the Brooklyn Bridge and play for the pigeons, trash barges and passing cars. After a certain amount of time, Sonny felt ready and he returned to the studio and recorded one of the great jazz albums, The Bridge.

Now as much as I love The Bridge, this isn’t my recommendation of Albums That All Humans Should Own. It might come later, but I’m going a different direction today.

The reason The Bridge came to mind last night as a potential Favourite Sonny Rollins Album is due to Jim Hall’s appearance on that album.

I've written before about how much I love Jim’s playing. He’s one of the top few jazz guitarists of all time. I love his playing on The Bridge. He is unobtrusive and gives Sonny a perfect place to lay down his tenor sound. Jim played with just about everyone during his long career. If some evil genie said that you could only listen to albums that had Jim Hall on them, your jazz collection would still be fantastic.

If I were to list all of the Giants he played with, this post would be far too long, so here's a brief highlight of some of my favourite Jim collaborations: Bob Brookmeyer, Paul Desmond, Art Farmer, Jimmy Giuffre, Chico Hamilton and Hampton Hawes. 

So enough beating around the bush. 

ok, not the greatest cover, but the music is tops

Jim Hall Live! (Horizon, 1975) is my tenth pick of Albums That All Humans Should Own.

It’s a gorgeous record that shows the master at the apex of his powers. Maybe I also like the fact that it was recorded at a Toronto jazz club. By the time I moved to Toronto, the Bourbon Street club was closed, but there were still a few great places open back then.

I’ve said it many times: a trio sinks or swims on the strength of the group. The greatest trios have three players working together, it’s not just the leader’s show. Jim Hall’s trio on this date is fantastic.

Jim Hall-guitar

Don Thompson-bass

Terry Clarke-drums

Don Thompson on bass

It’s no secret I’m a fan of the bass, and even have a couple of them in my basement (or bassment? No, that’s a terrible pun, ignore that). Don Thompson is one of the best, though he won’t make many best-of lists. That’s okay. He doesn’t need a list. He’s got the talent. He sounds great backing Jim, but Don really shines when it’s time for his to take the spotlight. His solos are beautiful and perfectly suited for Jim’s sound. Don has a long list of credits and it’s no surprise that he was a sought after bassist.

He’s Canadian too, which is nice. Canada has a decent number of Jazz Greats, but we’ll save that topic for another time. Perhaps tonight over a stout?

Have a listen to 'Angel Eyes' and see for yourself why I love this album so much.

Woody 'n' Me

Woody's deep into it

I love Woody Shaw.

Every time someone starts going on about how Miles Davis is the one and only trumpet god (remember when Tim went on about that? The whole Dark Prince thing?) I sputter and say Louis Armstrong! Art Farmer! Lee Morgan! Charles Tolliver! And of course, Woody Shaw!

My love for Woody came from his recordings with other leaders including Hank Mobley, Horace Silver, the early 1970s incarnation of the Jazz Messengers, and especially Mal Waldron's amazing "The Seagulls of Kristiansund" (Soul Note, 1987), which I will have to write about in detail some time soon.

I love that Live at the Village Vanguard album and it marks another concert that I wish I would have attended. I wish I could have sat there and had a dry vodka martini (does the Vanguard make a decent martini?) and let myself get pulled away by the 26 minute title track.

one of my favourites

Woody's playing is fresh and modern and to my ears, his songwriting places him near the top of jazz composers.

As I write this, I'm listening to "Night Music", which was the first album by Woody that I ever owned. The track is Orange Crescent. It's a great place to start. The fact that the great Bobby Hutcherson guests on the album certainly helps. Steve Turre, who might be the best trombonist you've never heard of, also adds some melodic fire.

Woody's recordings under his own name came in the 1970s and 1980s when jazz was starting (or continuing) its decline in popularity. I think that's the only reason he isn't a legend. Well, he's a legend to me. He was consistently strong and he put out some incredible albums including "The Moontrane" (Muse, 1974), "Little Red's Fantasy" (Muse, 1976) and any of the live albums he recorded. His Columbia recordings are also musts. "Rosewood" (1978), "Stepping Stones" (1979), "Woody III" (1979) "For Sure!" (1980) and "Untitled" (1981).

This is creative, energetic, beautiful music and I urge you to sample some of the riches that he left for us.

This is quite a list of incredible music, and all the more amazing is that he put it all out there before the age of 44, when he died tragically, but let's not talk about his sad end, okay? Let's focus on the music.

Albums That All Humans Should Own #7

I have written a great deal about Milt Jackson on this site and friends, if you haven't taken this hint and tracked down some of his music, this post may compel you to do so.

Milt had a recording career that spanned more than half a century and he released (under his own name, as a member of the Modern Jazz Quartet, or as a guest artist) more than 100 albums so it is no easy task to pick one to showcase. I let Milt chose his opus for me.

'Bag's Opus' (1959) by Milt Jackson is my seventh pick of essential albums that all humans should own.

In the coming days I may realize that I should have named another of his albums here, since so much of his recorded output is wonderful. He is my favourite vibist (with Walt Dickerson, Bobby Hutcherson and Lem Winchester behind him) and he brings that bebop intensity to all his playing, even the ballads. He never hits a poor note and his tone is gorgeous on an instrument that can be a bit grating in the upper register (I'm afraid some late-career Walt Dickerson is, in my humble opinion, guilty of this).

I've mentioned several times that the band makes the recording and this album features one of the great ensembles. Check out this lineup:

Milt Jackson:  Vibraphone
Art Farmer:  Trumpet
Benny Golson:  Tenor Saxophone
Tommy Flanagan:  Piano
Paul Chambers: Bass
Connie Kay: Drums



the great Benny Golson

It doesn't get much better than that. Only Tommy Flanagan isn't a legend, but if you consider that he played on Coltrane's Giant Steps, and Kenny Burrell and John Coltrane,  along with some of Curtis Fuller's finest records and on and on, perhaps we need to look and Mr. Flanagan's place in the pantheon one of these days...

This disc also benefits from some fantastic arrangements by Benny Golson, who is one of the best in the business. Shortly after this album, he and Art Farmer would form the Jazztet, one of the greatest bands in jazz history.

Have a listen to "Whisper Not". Great stuff, isn't it? Enjoy!

Who Doesn't Love a Bargain?

amazing amazing amazing

My wife likes to tease me about liking second hand shops and that doing so is a Ponka family tradition. I don't deny it - I admit to a thrill upon finding those gems that you occassionally discover. I especially love used book stores and I am still thrilled that I got the three volume set of Paul Metcalf's Collected Works in hardcover for $45 during a recent trip to Minneapolis. I am reading his Genoa with awe.

My love of a bargain goes for music too. Friends, you know I am willing to drop $100+ dollars on a Mosaic box set (the Charles Mingus set ships in three weeks! I can't wait!) but there are amazing deals for the bargain hunter to be had out there. Last night I was browsing through iTunes and came across a new series of music anthologies called 100 Original Tracks which has, you guessed it, 100 songs by a particular artist. I was excited to see that they had a jazz collection by Quincy Jones. I have one of his albums - This Is How I feel About Jazz (1957) - which is great stuff and features a who's who of jazz superstars including the great Charles Mingus, Art Farmer, my man Paul Chambers, Milt Jackson and Lucky Thompson. (Have a listen to "Sermonette" and I challenge you tell me you don't love it...) I wanted to hear more of his music, so you can understand why I was excited to find a collection that had so much of it. The kicker? The set only cost $6.99! I know! Crazy, right? That's less that 7 cents per song! How could I not buy it? I cleared a gig of space from my iPhone and downloaded it on the spot.



serious value for money...

The downside of sets like this is that there are no liner notes so it is impossible to know what musicians are playing on each track (why doesn't iTunes provide liner notes??) but for the price you truly can't go wrong. I think the set is worth it for the live version of Oliver Nelson's "Stolen Moments" that features some killer trumpet work by Freddie Hubbard.  (Without liner notes, I only know it's him beacuse Quincy introduces him by name... I can recognize some players by their sound alone, but not in this case.) Freddie played on the original recording with Oliver Nelson's killer band, but to be honest, I prefer his playing on this track. Perhaps it is the live setting that has him playing with such intensity...

There are some other fine sets in this line so if you have $20 to spare, you could pick up a few hundred tracks of amazing jazz. Enjoy!

Albums That All Humans Should Own #6

I had a difficult time deciding on this one; not on the band, since the Art Farmer/Benny Golson Jazztet is one of my favourite bands ever, but the decision was whether I should recommend that you rush out to pick up a single album, or if you are an iTunes user (which has many cheap delights for us jazz aficionados) you can download the incredible Complete Argo Mercury recordings. Since the complete set is somewhat pricey (I see it as a steal at $49.99: it does have 95 tracks of which none are weak) I thought I would go with the single album:

'Meet the Jazztet' (1960) by Art Farmer and Benny Golson is my sixth pick of essential albums that all humans should own.

The band line-up says it all:
Art Farmer on trumpet. He is one of the finest players out there. I love his lyricism and his effortless playing.
Benny Golson on tenor sax. Not only is Benny a great player, he is also one of the best writers/arrangers in jazz. He wrote four of the eleven tracks including 'I Remember Clifford' and 'Killer Joe'.
You also go the wonderful Curtis Fuller on trombone, and for those of you who have been following along you know that I have a fondness for Curtis' playing.
And then you have McCoy Tyner on piano making his recording debut. He would of course go on to play in John Coltrane's wonderful quartet of the '60s as well as having a fine solo career which continues to this day.

The music is top-notch and even though it is a large group, it isn't unwieldy. I really can't recommend it highly enough.

Have a listen to 'Killer Joe'. Cool or what? It captures the group at its finest.

Still, if you want to treat yourself, I recommend dipping into your pocketbook and springing for the complete recordings. You won't regret it. It was formerly a Mosaic boxset which would have cost over $150, so you know that those fine folks have filled this set with riches.
I wish I had never heard this band and could spend a few weeks letting the 95 tracks of this set wash over me as they did when I first heard them. I am envious of those of you who have yet to discover this great band!

Trombone, pt 1

that amazing Blue Note design team...

If you think it is tough to love a baritone sax (as discussed a few posts back...), it may be even more difficult to love the trombone.  Again like the baritone, in the hands of the top few players in jazz it transcends the corniness that one might expect from the horn.


It's almost time to get the kids to bed so I don't have much time to write, but let me direct you towards Curtis Fuller, the fine trombonist who is perhaps most famous for playing on John Coltrane's brilliant 'Blue Train'.  Have a listen to the delightful toe-tapping Quantrale.  Be sure to admire Art Farmer's trumpet work as well as the great Louis Hayes laying down that beat.