Albums That All Humans Should Own #8

The trombone gets a bad rap these days. I mean, everyone loves the sax and trumpet, but friends, let's be honest, how many of you could claim to love listening to the trombone? How many of you could name three trombone players? Or even two? I would hope that most of you could name J.J. Johnson, especially since I have played so much of his music for you over the years... but today I would like to present another trombone master, who followed in J.J.'s ellustrious footsteps: Curtis Fuller.

He played with some of the greats (surely you noticed his playing on John Coltrane's "Blue Train" album) and was part of Art Blakey's Jazz Messengers in the 60s and made several incredible albums with them.

I could list some of those albums as essential, but for today, I'm proud to announce that:

'Blues-ette' (1959) by Curtis Fuller is my eighth pick of essential albums that all humans should own.

How many times have I mentioned that the band often makes the record? Often, I know, but how about this line-up?

Benny Golson - tenor sax
Curtis Fuller - trombone
Tommy Flanagan - piano
Jimmy Garrison - bass
Al Harewood - drums



Great player, great writer.

A stellar line-up. There is a ton of great grooving music on this disc. Have a listen to the classic Five Spot After Dark and tell me that all of a sudden the trombone doesn't seem as staid as you previously thought... Besides, you know I'll listen to anything Benny Golson played, especially his recordings from the 50s and 60s.

If you have $30 to spare, and spending money on music is an investment in life-enrichment, I would recommend you head over to iTunes and pick up Curtis Fuller's "Complete Savoy Recordings" on which "Blues-ette" is featured. Killer music friends.

You're welcome. Happy listening and see you soon, okay?

Albums That All Humans Should Own #7

I have written a great deal about Milt Jackson on this site and friends, if you haven't taken this hint and tracked down some of his music, this post may compel you to do so.

Milt had a recording career that spanned more than half a century and he released (under his own name, as a member of the Modern Jazz Quartet, or as a guest artist) more than 100 albums so it is no easy task to pick one to showcase. I let Milt chose his opus for me.

'Bag's Opus' (1959) by Milt Jackson is my seventh pick of essential albums that all humans should own.

In the coming days I may realize that I should have named another of his albums here, since so much of his recorded output is wonderful. He is my favourite vibist (with Walt Dickerson, Bobby Hutcherson and Lem Winchester behind him) and he brings that bebop intensity to all his playing, even the ballads. He never hits a poor note and his tone is gorgeous on an instrument that can be a bit grating in the upper register (I'm afraid some late-career Walt Dickerson is, in my humble opinion, guilty of this).

I've mentioned several times that the band makes the recording and this album features one of the great ensembles. Check out this lineup:

Milt Jackson:  Vibraphone
Art Farmer:  Trumpet
Benny Golson:  Tenor Saxophone
Tommy Flanagan:  Piano
Paul Chambers: Bass
Connie Kay: Drums



the great Benny Golson

It doesn't get much better than that. Only Tommy Flanagan isn't a legend, but if you consider that he played on Coltrane's Giant Steps, and Kenny Burrell and John Coltrane,  along with some of Curtis Fuller's finest records and on and on, perhaps we need to look and Mr. Flanagan's place in the pantheon one of these days...

This disc also benefits from some fantastic arrangements by Benny Golson, who is one of the best in the business. Shortly after this album, he and Art Farmer would form the Jazztet, one of the greatest bands in jazz history.

Have a listen to "Whisper Not". Great stuff, isn't it? Enjoy!

One day in 1957 Dizzy, Benny & Gigi walk into a studio in NYC...

jazz riches!

I am fortunate enough to be the proud owner of the Mosaic Records boxset "Verve/Philips Dizzy Gillespie Small Group Sessions." I have been listening to it a great deal lately (as you would too!) and one session (of the 15 included in this set!!) that has recently captured me was recorded in 1957 and released as "The Greatest Trumpet of Them All" (and the case that he is the greatest could certainly be made: listen to this or this and the list could go on!).

Like many of the greatest recordings in jazz, it's the band that makes all the difference. Dizzy was always a fine player and one of those players who rarely put out a weak record. For this one, he not only pulled in two of the finest young sax players of the era, but also got them to arrange the eight tracks. Benny Golson on tenor and Gigi Gryce on alto. These men not only play amazing horns, but have that octet playing masterfully.  The arrangements are stellar and show the talents that these two men would continue to display.

an underrated album

Even if you don't want to shell out the $119 for the complete set (or download it from iTunes for $70) , I encourage you to track down this album and enjoy!

Albums That All Humans Should Own #6

I had a difficult time deciding on this one; not on the band, since the Art Farmer/Benny Golson Jazztet is one of my favourite bands ever, but the decision was whether I should recommend that you rush out to pick up a single album, or if you are an iTunes user (which has many cheap delights for us jazz aficionados) you can download the incredible Complete Argo Mercury recordings. Since the complete set is somewhat pricey (I see it as a steal at $49.99: it does have 95 tracks of which none are weak) I thought I would go with the single album:

'Meet the Jazztet' (1960) by Art Farmer and Benny Golson is my sixth pick of essential albums that all humans should own.

The band line-up says it all:
Art Farmer on trumpet. He is one of the finest players out there. I love his lyricism and his effortless playing.
Benny Golson on tenor sax. Not only is Benny a great player, he is also one of the best writers/arrangers in jazz. He wrote four of the eleven tracks including 'I Remember Clifford' and 'Killer Joe'.
You also go the wonderful Curtis Fuller on trombone, and for those of you who have been following along you know that I have a fondness for Curtis' playing.
And then you have McCoy Tyner on piano making his recording debut. He would of course go on to play in John Coltrane's wonderful quartet of the '60s as well as having a fine solo career which continues to this day.

The music is top-notch and even though it is a large group, it isn't unwieldy. I really can't recommend it highly enough.

Have a listen to 'Killer Joe'. Cool or what? It captures the group at its finest.

Still, if you want to treat yourself, I recommend dipping into your pocketbook and springing for the complete recordings. You won't regret it. It was formerly a Mosaic boxset which would have cost over $150, so you know that those fine folks have filled this set with riches.
I wish I had never heard this band and could spend a few weeks letting the 95 tracks of this set wash over me as they did when I first heard them. I am envious of those of you who have yet to discover this great band!