Tuesday, March 12

Albums That All Humans Should Own #8

The trombone gets a bad rap these days. I mean, everyone loves the sax and trumpet, but friends, let's be honest, how many of you could claim to love listening to the trombone? How many of you could name three trombone players? Or even two? I would hope that most of you could name J.J. Johnson, especially since I have played so much of his music for you over the years... but today I would like to present another trombone master, who followed in J.J.'s ellustrious footsteps: Curtis Fuller.

He played with some of the greats (surely you noticed his playing on John Coltrane's "Blue Train" album) and was part of Art Blakey's Jazz Messengers in the 60s and made several incredible albums with them.

I could list some of those albums as essential, but for today, I'm proud to announce that:

'Blues-ette' (1959) by Curtis Fuller is my eighth pick of essential albums that all humans should own.

How many times have I mentioned that the band often makes the record? Often, I know, but how about this line-up?

Benny Golson - tenor sax
Curtis Fuller - trombone
Tommy Flanagan - piano
Jimmy Garrison - bass
Al Harewood - drums


Great player, great writer.
A stellar line-up. There is a ton of great grooving music on this disc. Have a listen to the classic Five Spot After Dark and tell me that all of a sudden the trombone doesn't seem as staid as you previously thought... Besides, you know I'll listen to anything Benny Golson played, especially his recordings from the 50s and 60s.

If you have $30 to spare, and spending money on music is an investment in life-enrichment, I would recommend you head over to iTunes and pick up Curtis Fuller's "Complete Savoy Recordings" on which "Blues-ette" is featured. Killer music friends.

You're welcome. Happy listening and see you soon, okay?

Friday, March 1

Another Bit of Shepp

Archie Shepp in and out of focus
Yesterday's post had me in an Archie Shepp frame of mind so I thought I'd share something a bit more adventurous than yesterday's groove. Have a listen to 'Lybia'. It's 20+ minutes of dynamite. Shepp has something special, though I admit he may not be to everyone's taste. I like to pull out tracks like this when people argue that they like jazz because it helps them relax. Not all jazz, baby! I say, and then turn this number up.

(and to avoid doing it tomorrow, here's 'Blase', another classic energized track.)