John Coltrane gives me a Bernsteinian moment

You’re a film nerd like me, so you know that famous scene in Citizen Kane where Mr. Bernstein (played by Everett Sloane) says this to Charles Foster Kane:

he'll never forget her

“A fellow will remember a lot of things you wouldn't think he'd remember. You take me. One day, back in 1896, I was crossing over to Jersey on the ferry, and as we pulled out, there was another ferry pulling in, and on it there was a girl waiting to get off. A white dress she had on. She was carrying a white parasol. I only saw her for one second. She didn't see me at all, but I'll bet a month hasn't gone by since that I haven't thought of that girl.”

This scene came to mind last night when I put on John Coltrane’s ‘My FavoriteThings’ (click to listen) at high volume, which I find essential for this tune.

It’s been a long time since I’ve listened to it. It came at me yesterday from the album “1963: New Directions” by John Coltrane. It’s a three-disc set that gathers his 1963 master recordings. It’s a fantastic album that includes his lovely recordings with Johnny Hartman which I have written about before.

The 1963 recordings also have some live cuts from the album “Newport ‘63”, which has a version of ‘My Favorite Things’ in all its bombastic glory.

Now why did I start this piece by talking about Citizen Kane?

I can still remember the first time I really heard Coltrane’s recording of ‘My Favorite Things.’ I was in university and doing some work in the library. I had headphones on and was listening to my Discman. (Remember those gadgets?) 

I wanted this sooo badly

It was one of the discs from the “The Last Giant” 2-CD set. What I really wanted was “The Heavyweight Champion: The Complete Atlantic Recordings” but that was far too expensive for a student’s income. I had to settle for the 2-CD version, which was still pretty fantastic.

As I heard that soprano wail yesterday, and McCoy Tyner’s masterful playing, I was instantly transported back through the decades in a Bernsteinian flashback. 

Me and jazz...we've been together a long time.

ADDITION: Upon further reflection, as much as I like the term, this isn't a case of Bernsteinian flashback is it? No, it's more like a Proustian version, where my hearing a song is like Marcel eating a madeleine and is suddenly brought back in time... Oh well. Forgive me for this won't you?

Frankly, it's becoming

After my recent post about Frank Sinatra, the man has been present in my life not only through his music, but in words as well.


I don't have much time to read lately yet on the same day I ran into old Frank in two different books.

Mailer hanging out

The first was in Norman Mailer's Harlot's Ghost:


"Do you like Frank Sinatra?" she asked.
"Never met him."
"I mean, do you like his singing?"
"Overrated," I replied.
"You don't know what you're talking about."
- pg 688

The second was in Thaddeus Russell's The Renegade History of the United States:


When a teenaged Frank Sinatra saw Crosby perform in New Jersey, he decided to "do that". 
- pg 201


How fitting, my friends, that considering I compared him to Frank in the previous post, Johnny Hartman should happen to be singing at this very moment 'The Very Thought of You', as if reminding me that Frank may be a bigger part of our greater culture, but that Johnny Hartman has a few killer tracks of his own.

Frank & Johnny

the man could sing

It's easy to underestimate Frank Sinatra. I used to.

He's no Johnny Hartman, I used to say. I know some of you have heard me expound on this point, perhaps over espressos or iced vodka.

It's easy to focus on Frank's mob connections and to give their strong-arm tactics the credit for his success.

Friends, I am pulled from my computer to listen to him sing 'Black Magic.' The song proves the man deserves his reputation as one of the finest voices in the history of jazz.

Johnny, I'm sorry

Yes, I used to say that Frank was good, but that he was no Johnny Hartman... but lately I'm thinking that if I had to choose one over the other I just might go with Frank.

I'm sorry, Johnny! I really am. I feel just terrible. I mean, I love your Impulse! recordings but some of your other discs don't reach to those heights of quality. Perhaps if you had Nelson Riddle arrangements and the support of major label your catalogue would be as strong as his.

Johnny, you made three classic albums and how many musicians can say that?  You recorded with John Coltrane at the peak of his powers and recorded the song 'Joey' which always make my wife try to mimic your low notes. Thanks for that.

You liked Frank's music too, so you must understand. Are you angry at me for choosing him over you? Are you joining Red Norvo? Are both of you scowling at me from beyond the grave?

Albums That All Humans Should Own #5

When John Coltrane left Atlantic Records in 1961 to join upstart Impulse! it marked a major shift in the jazz community. How big was it? His signing helped the label exist at all and was certainly their biggest star.  A four CD box set commemorating the label’s best was recently released and it is aptly named 'The House That Trane Built'. There is no small number of jazz afficiandos who cherish those orange-spined albums. Perhaps they are the only jazz label whose album art rivals Blue Note...

Some of my favourite Coltrane albums were from this period (who doesn't adore 'A Love Supreme'?) and his quartet pushed the boundaries of jazz, creating what some haters referred to as anti-jazz.

In 1963 Impulse! went to the band and said they would like them to record an album with a vocalist and the band could pick whoever they wanted.

Johnny Hartman was their immediate and unanimous choice.

And what a choice!

He is my favourite jazz vocalist (I’ll take him over Ella Fitzgerald, Frank Sinatra, Fred Astaire and Louis Armstrong .... well, okay, this is starting to seem like a difficult decision to have to make. Let’s just say that he is my favourite but there are others who are very very close to him in my heart) and how often have I listened to his gorgeous baritone and wished I could sing like that...

Before I continue, my friends, I will end your suspense and announce:

John Coltrane & Johnny Hartman' (1963) is my fifth pick of essential albums that all humans should own. 

Hartman put out two of his own Impulse! albums and I could easily have named them here.  'The Voice That Is!' not only shows the label’s love for exclamation points, but is a collection of some of the finest vocals ever recorded. How many times has my wife sung Joey,Joey, Joey to our babies during feedings? Listening to her struggle to hit those lush low notes is fabulous. The song’s lyrics is a great American short story.

But I didn’t pick that album (though you should go buy it too) since the addition of John Coltrane’s stellar band makes it that much more worthy of all human ownership.

I wonder if Coltrane's band sounds so good since they found it refreshing to play some gentle music after their time in the avant-garde...

It is impossible to pick a stand-out track since the album is a little gem.  I say little as this is the only negative I can think of: it is only 31 mins long. Still, 31 minutes of perfection is still worth possessing in this turbulent age, don’t you think?

I will stop here. I am listening to They Say It’s Wonderful (listen here) at this moment as I type in this coffee shop and ahh.... Coltrane’s solo just began. Perfection.