Wednesday, May 25

Trombone, pt 1


that amazing Blue Note design team...
If you think it is tough to love a baritone sax (as discussed a few posts back...), it may be even more difficult to love the trombone.  Again like the baritone, in the hands of the top few players in jazz it transcends the corniness that one might expect from the horn.


It's almost time to get the kids to bed so I don't have much time to write, but let me direct you towards Curtis Fuller, the fine trombonist who is perhaps most famous for playing on John Coltrane's brilliant 'Blue Train'.  Have a listen to the delightful toe-tapping Quantrale.  Be sure to admire Art Farmer's trumpet work as well as the great Louis Hayes laying down that beat.

Thursday, May 19

My Man Paul Chambers and the great bassists of his time

Mr. Chambers takes a rest

Friends, it's been too long since we've talked about Paul Chambers.  It is not a contentious statement to say that he is one of the top two or three bassists of all time.

That being said, when you are talking about that elite calibre of musician, it is difficult to rank them based on skill but purely on personnel preference.  Off the top of my head I'd have to say Charles Mingus is the only player that was his equal in terms of proficiency (or was it just that he was a better composer?).  Well... in terms of skilled players you know how much I love Scott LeFaro with the Bill Evan's Trio, but can a few months recording, even though they were stellar recordings, put him into that elite category?  And what about Ray Brown? Ron Carter?  Percy Heath?  Charlie Haden? maybe even Steve Swallow?  Ah now you see why I stay away from ranking musicians.

Have a listen to the Paul Chambers Sextet's 'Whims of Chambers'  (from the album Whims of Chambers, Blue Note, 1956).

Fabulous!

Tuesday, May 10

What's Spinning Today

Hank Mobley's 'Carolyn' from his brilliant album No Room For Squares (Blue Note, 1963).  If I had to pick one Mobley album (no easy task!) it would be this one.

I love you, Hank Mobley
He has a stellar band.  It was the same cats that played on one anothers sessions and helped make Blue Note the finest label in jazz.

Lee Morgan and Donald Byrd alternate songs on trumpet and two of the finest pianists to come out of the 1960s, Andrew Hill and Herbie Hancock alterate songs.  Add the master, Philly Joe Jones on drums and you have the makings of a classic album.  You could pick any track on this album, but 'Carolyn' is playing at the moment.  Lee Morgan wrote it and the band plays it perfectly.  I challenge you to listen to this track and not become, like me, a life-long devotee of Mobley and Morgan.  Enjoy my friends.  I am tired and this song is helping lift my spirits.

Saturday, May 7

Post-birthday party

everyone digs Bill Evans
Whew.  It's over.

Everyone's gone home and babies are in bed after a busy and wonderful day.  Not sure what is in store this evening but I think it would be a good night to chill out with some fabulous Bill Evan's Live at the Village Vanguard.  Perhaps the wonderful song 'Gloria's Step'.  Isn't that a great song?  Don't you love Scott LeFaro's bass?  I could get mournful here and talk about his tragic end shortly after this recording, but as I have said many times, we dwell on the positive here.  Let's focus on his masterful technique and not talk about the tragic car accident.

 I know I have talked about this Bill Evans album before, my friends, and with good reason.

It's one of the greatest.

Friday, May 6

Birthday Eve

This evening as we get the place ready for the babies' second birthday my wife and I are listening to the new Radiohead album.  That's right, my friends, not jazz.  I mean, 80% of the time it's jazz (95% of the time when I am alone) but there is an awful lot of great music being made these days in the non-jazz world.  I thought I'd let you know about tonight's music choice.  I hope you're not disappointed.

The Felice Brothers
Oh, and to forewarn you, the new Felice Brothers comes out next week, as well as a new Okkervil River so I am sure I will listen to them a lot too.  They are both great bands and not at all jazz.

I will be sure to listen to at least some jazz during that time, okay? I have a good idea about baritone sax players that I can do a few pieces on.  Will that balance out tonight's choice in music?