You Gotta Love Hank Mobley

I think you made a good point last night, Larry, when you said that if John Coltrane had never existed, Hank Mobley would take his place among the pantheon. No more 'middleweight' champion BS. Yeah, they really called him that while calling Coltrane the heavyweight champion. That must hurt when your nickname digs at you.

Hank Mobley is one of the greats

Yes, I love Hank Mobley too, as anyone who has been following this blog will know. Last night Larry and I were drinking a beer and listening to Another Workout (Blue Note, 1961) that has a stellar band, as all of Mobley's Blue Note albums did.

Hank Mobley - tenor saxophone

Wynton Kelly - piano

Paul Chambers - bass

Philly Joe Jones - drums

You'd be hard pressed to find a better trio to back you up, so no surprise that Mobley shines on this date. We were particularly taken by the ballad "Hello, Young Lovers" which I encourage you to listen to.

Larry also talked about the new Andrew Bird album being out and that he's loving it, but as great as Andrew Bird is, he's not jazz, so we won't discuss him in detail here. Sorry Andrew.

Tanya sounds like Dat Dere

Dexter's a class act

As recent posts will attest, Dexter Gordon has been on my mind lately and I’ve been listening to him a lot. One track in particular caught my ear; it’s one of my favourites. 'Tanya' from the album One Flight Up (Blue Note 1964). It’s another fantastic album with another amazing band.

Dexter Gordon - tenor saxophone

Donald Byrd - trumpet

Kenny Drew - piano

Niels-Henning Orsted Pedersen - bass

Art Taylor – drums

I highly recommend the album and encourage you to listen to it as soon as possible.

This morning as I was grooving to 'Tanya' on my way to work, a strange thing happened. I realized that the catchy chorus sounds almost identical to Bobby Timmons’ song 'Dat Dere'. 'Dat Dere' was initially released on This Here Is Bobby Timmons (Riverside, 1960) has been recorded many times and it’s a great tune. 'Tanya' was written by Donald Byrd.

one of the best jazz album covers

I know that the theme doesn’t make the song and that Tanya is 18+ minutes of goodness, but there are similarities there. Borrowing from songs that came before is a natural part of music, especially jazz, so I don’t begrudge Donald Byrd or Dexter Gordon. Maybe he swiped the tune inadvertently, or maybe he loved 'Dat Dere' and wrote his theme as an homage.

I think you should come over and we can crack a craft beer and listen to the songs back to back. I’d appreciate your opinion. How about 8:30 once the kids go to bed?

In case you want to listen ahead of time and formulate some discussion points, here's Tanya and Dat Dere.

Music to Play While Cooking

Dexter's best?

We were making a lovely dinner Saturday night when you called. We chatted briefly and you noted that there was jazz playing in the background, as there so often is. 

I was feeling upbeat that night so we were listening to one of the great jazz albums “Our Man in Paris” (Blue Note, 1963) by Dexter Gordon. By this point, Gordon was living in Europe and so was the rest of the quartet.

I’m not surprised that so many jazz musicians moved to Europe in the 1950s and 1960s. I remember a story I heard about Duke Ellington. He said that one day he was playing a grand performance for Swedish royalty and given every courtesy imaginable, and then he came back to the USA and couldn’t stay in the same hotel as whites. I’m surprised MORE jazz musicians didn’t move to Europe. They didn't face the same level of discrimination and jazz was seen as the art form that it is.

Here's the band:

Dexter Gordon – tenor saxophone

Bud Powell – piano

Pierre Michelot – bass

Kenny Clarke – drums

Other than Michelot, the rest of the band are Legends. Bud Powell is, along with Thelonious Monk, the best pianist of the bebop era, and he died too young, like so many jazz musicians. Kenny Clarke, known as 'Klook', was one of the best jazz drummers ever and he recorded with just about everyone during his long career. In a nice change, he did not die young and lived until he was 71, which might be below the national average, but is positively ancient compared to other jazz musicians. Pierre Michelot, as the name would suggest, was a French bassist who doesn't have the credentials as his band mates, but he plays very well on this recording.

Dexter in Paris

The album is fantastic, as you’d expect from this line up and I highly recommend it.

Dinner was great that night and maybe the music helped. Have a listen to A Night in Tunisia and you’ll see why this album is considered one of the greats.

I’m sorry I didn’t invite you for dinner but it had been a busy day fixing broken dishwasher and leaky bathtubs and wasn’t up for entertaining. Rain check?

What? I have restraint? Since when?

10 discs of goodness

I was recently in Toronto and of course I squeezed in a bit of time browsing used books and music.

What did I see on the shelf before me but that glorious black box of music: Bird: The Complete Charlie Parker on Verve. I remember this box set from early in my jazz life. I’d borrow it from the local library and listen to it over and over, marveling at Charlie’s skill, and broken-hearted about how young he died. I always wanted to own the set but it tended to be about a $100 used, which was too rich for me back then.

Now I’m supposedly an adult with a good job and am not entirely drowning in debt and there I stood before Bird. There is was, still valued at $100 after all these years. This is some of the best recording he ever made and an important part of jazz history. Surely he’s one of the top two or three sax players of all time and I challenge anyone to argue otherwise.

I wish I had seen him play

The strange thing was that I didn’t buy it. What? I know, I can't believe it either. It’s not like me to show restraint when it comes to books or jazz, but it happened.

The reason? Streaming.

The whole set is available on iTunes and I listen to it all the time. I used to cherish CDs and now…not so much. I know this trend is happening everywhere and is even having an impact on the glorious company Mosaic Records. I have a large stack of their sets but haven’t jumped at one since Mingus’ set: Charles Mingus ‎– The Jazz Workshop Concerts 1964–65.

I suppose the moral of this story is that it’s all about the music, not about how it’s delivered to my ears, brain and heart. Whatever sci-fi technology that comes along to replace streaming, you can rest assured that there will be jazz fans like me listening to fantastic old recordings in new ways.

For now, here's a link to one of Bird's great tunes, Blues For Alice.